The official description reads, “In the magical land of Maya, a cosmic war is on the horizon. On Twitter, Netflix made clear the voice talent is “all-Asian.”īoons and Curses is described as “comedy-action animated series.” It will be animated in 2D. Yang, Bowen Yang, Jolie Hoang-Rappaport, Jo Koy, Ron Yuan, Hoon Lee, Stephanie Hsu, Andrew Pang, Andrew Kishino, Jodi Long, James Sie, and BD Wong. I’m so excited to be collaborating with Tony, Peilin, and everyone at Netflix to bring this joyful tale to audiences worldwide!” It will be directed by Anthony Stacchi with Stephen Chow executive producing and Peilin Chou and Kendra Halland as producers.Ĭhow stated, “The Monkey King has endured for generations with his unique character and spirit. The official description reads, “Inspired by China’s famous legend Journey to the West, the film tells the story of a very special Monkey, and his magical fighting Stick, who team up to fight against gods, demons, dragons, and the greatest enemy of all, Monkey’s own hubris!” The Monkey King is described as “an animated action-film.” MONKEY KING – Visual development piece by Production Designer, Kyle McQueen. She also notes that these three new projects “join our incredible slate of animation form world class Asian American creators with different styles, unique voices, and a broad range of stories to tell including Academy Award-nominated film Over the Moon from Glen Keane, Gennie Rim and Peilin Chou City of Ghosts from Elizabeth Ito and upcoming series and films like Centaurworld from Megan Nicole Dong Oni from Daisuke “Dice” Tsutsumi Ghee Happy from Sanjay Patel Witch Boy from Minkyu Lee and Steps from Alyce Tzue.” The Monkey King With each colorful frame and character we get to create together, we are defining our own world for kids around the world who don’t have to wait to see someone like them in the end credits.” Lee would add, “I love the power of animation because it unlocks imagination and potential, empowering us to build new realities and see ourselves as the heroes. But I always had a passion for animation, and now I get to reclaim the space for myself and others who deserve to see ourselves on screen.” Watching my favorite cartoons growing up, I rarely saw a face or name like mine, and certainly never as the hero. She wrote, “Never underestimate the power of seeing yourself on the screen. Jane Lee, Netflix’s Manager of Original Animation, detailed the projects were about reclaiming the animation space in a press release.
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